We sat down with members Arata-san (vocals) and Reiji-san (guitar, keyboards) from THE SIXTH LIE during their appearance at Japan Expo Paris. Over the course of the convention, the band performed three energetic showcases, hosted signing sessions, and interacted directly with European fans. In our exclusive conversation, we explored the creative process behind three of their most popular anime tracks: “Hibana” and “Yuusetsu” for Golden Kamuy, alongside “Shadow is the Light” for A Certain Scientific Accelerator.
Translating Historical and Sci-Fi Worlds Into Sound
Blending futuristic electronic elements with heavy guitar rock, THE SIXTH LIE carved out a distinct sonic identity before stepping into the anime industry. Adapting that signature style for historical dramas and futuristic sci-fi required distinct creative adjustments. For Golden Kamuy, the duo deliberately stripped back electronic layers in favor of vintage, heavier rock arrangements that mirror the gritty survival narrative of the early 20th-century frontier.
Deep engagement with the source material also reshaped their artistic philosophy. Reiji-san noted that learning about traditional Ainu culture through the production of Golden Kamuy instilled a profound respect for craftsmanship, influencing how the band treats their physical instruments and musical equipment. Meanwhile, transitioning to science fiction for “Shadow is the Light” allowed the band to lean into darker vocal performances that capture the complex psychology of anti-hero protagonists.
Looking Forward and Global Ambitions
Discussing their broader musical influences, the members pointed to legendary Western alternative acts like Linkin Park. When asked about dream crossover projects they would love to score or cover, the members highlighted iconic properties such as Akira and Cyberpunk: Edgerunners. With ongoing international interest and passionate overseas fanbases, THE SIXTH LIE continues to expand their global footprint, expressing a strong desire to bring their high-energy performances to North American audiences in the near future.
